Pastors’ Column

Twenty-four years ago, I was in the midst of post-recording production with the recording engineer who recorded the Sanctuary Choir’s Christmas CD, “Welcome Yule.” Producing a CD is an immense amount of work. Each piece is recorded 3-5 times. One CD can easily take four long evenings to record. The production process takes even longer. About halfway through the editing, our producer, George Blood, asked me, “Jeff, what do you think the five greatest choral works are?” I quickly responded with, “J.S. Bach’s “Mass in B-minor,” Mozart’s “Requiem,” Mendelssohn’s “Elijah,” Beethoven’s “Missa Solemnis,” and Brahms’ “Requiem.” Over my long career, I have had the privilege of conducting all these works, in some cases, several times. Of all these works, Brahms’ “Requiem” holds the most special place in my heart. I am thrilled to be able to conduct this masterpiece on Sunday, April 28, at 4:00 p.m. with our sublime Sanctuary Choir.

In just a week, five of us from BMPC will travel to Lima, Peru, to spend a week with our long-term partner, Joining Hands Peru.

We have been connected to the work of Joining Hands Peru, especially through our support of Presbyterian World Mission and our Mission Co-Workers there, Jed and Jenny Koball, for over ten years. But this year represents the start of a deepening commitment on our part to the Joining Hands global network, which describes their work as standing in solidarity, working for justice and the restoration of the Earth, and advocating for the rights of people to claim the life abundant promised by God.

It was a joy to attend and participate in Easter services at Bryn Mawr this past Sunday. The outdoor early morning service had a totally different feel than the services in the sanctuary. Did you see the cross in the churchyard covered in flowers?  Did the glorious ‘Hallelujah Chorus’ and Easter hymns ring in your mind for a while? But now, Easter Day is over. However, I hope the ramifications of it are not!  

Sometime in the latter half of the 3^rd Century, the Christian church began to observe Holy Week. The gospels describe in considerable detail the final days of Jesus’ life as the intense scrutiny around him heightens to a fevered pitch. Those early church Holy Week observances were dedicated to reading the gospel narratives of Jesus’ betrayal, trial, crucifixion, death, and burial. Participants went to worship in sorrow, penance and fasting, and to linger at the foot of the cross, mindful of the suffering love of God revealed through the person Jesus. By experiencing the full depths of Jesus’ passion, the joy of Easter morning led believers to ecstatic praise.

In January 2023, my neighbor, Rachelle Fleming, texted me, inviting me to her home to meet Hugh McElyea, a composer friend. Knowing Rachelle, I knew that we would have a lovely time, but I wasn’t expecting to encounter a composer who was absolutely fascinated by Dietrich Bonhoeffer. What ensued was a wonderful evening of three musicians engaging in all manner of conversation about all sorts of topics, including that of an oratorio that draws parallels between the crucifixion of Christ and Dietrich Bonhoeffer’s death at the hands of the Nazis. By evening’s end, I knew that BMPC would have to perform Hugh’s “Tenebrae: The Passion of Dietrich Bonhoeffer.”

In his celebrated work, Moral Man and Immoral Society, the 20^th-century theologian and political philosopher Reinhold Niebuhr wrote, “Religion is always a citadel of hope, which is built on the edge of despair.” It came to mind a couple of weekends ago when I went to see Dune: Part Two on opening weekend.